Dive into the archives.
- George Condo in Berlin
Read my review of the George Condo exhibition at Artforum.
- Marion Bataillard
Looking at Marion Bataillard’s paintings is like peeking into a sort of madhouse or cult compound. Her figures are not quite gruesome enough to be called grotesque, but they aren’t pretty, either, and they inevitably bear expressions of rapture, existential befuddlement, and dementia. Her works are the expression of a very private vision of hell [...]
- British Art Now
My review of the exhibition British Art Now, now online at Artforum.
- Rainer Fetting
My review of Rainer Fetting’s Berlin exhibition, which briefly appeared here a few days ago, is now online at Whitehot Magazine of Contemporary Art.
- Dicklung & Others
My new collection of poetry, Dicklung & Others, is now available for pre-order from BLATT Books.
The cover painting is Basan, the Fire-Breathing Chicken by Jeremiah Palecek, who also did the images for my last collection, Poems I Wrote While Watching TV, which you can also order from BLATT.
- Bob Tooke @ Galerie Crystal Ball
My review of Bob Tooke’s exhibition at Galerie Crystal Ball is now online at Artforum.
- Stéphane Pencréac’h @ FRISCH
My review of Pencréac’h’s current Berlin exhibition is now online at Whitehot Magazine of Contemporary Art.
- E.M.C. Collard @ STYX Project Space
My review of E.M.C. Collard’s current exhibition at STYX Project Space is now online at Artforum.
- Ernesto Ortiz @ Golden Parachutes
The border, as both physical reality and philosophical entity, forms the backdrop of the paintings Ernesto Ortiz is working on for his first solo exhibition, opening on May 23rd at Golden Parachutes in Berlin. Indeed, it could be said that the U.S.-Mexican border is one of the rare places where the supposed abstractions of philosophy [...]
- Jack Goldstein @ Daniel Buchholz Gallery, Berlin
The story of Jack Goldstein is one of the saddest in recent art history. Throughout much of his career, Goldstein struggled with fame - both his own and that of the artists who rose to prominence alongside him in the now-legendary Pictures exhibition of 1977 - as well as the crude dictates of market forces [...]
