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  • Lucrecia Martel’s La mujer sin cabeza

    A woman driving down a dirt road runs over something. At first, she thinks it is “only” a dog (this only is always negligible; one of the points of the film), but later, after the fact, she decides in her mind that it was in fact a child. Nobody can convince her otherwise.

    A woman hits [...]

  • Marion Bataillard

    Looking at Marion Bataillard’s paintings is like peeking into a sort of madhouse or cult compound. Her figures are not quite gruesome enough to be called grotesque, but they aren’t pretty, either, and they inevitably bear expressions of rapture, existential befuddlement, and dementia. Her works are the expression of a very private vision of hell [...]

  • Rainer Fetting

    My review of Rainer Fetting’s Berlin exhibition, which briefly appeared here a few days ago, is now online at Whitehot Magazine of Contemporary Art.

  • Nan Goldin in Berlin

    “As a photographer, Nan Goldin has inspired a legion of imitators who tend to confuse certain lifestyle traits with artistic substance, a privileging of content over form with an excuse for taking sloppy photographs.”
    My review of Nan Goldin’s current Berlin exhibition is now online at Artforum.

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