Dive into the archives.
- Roman Holiday: A Travel Journal
Roman Holiday: A Travel Journal
ARRIVAL
Thought I could keep everything intact - a towel? That won’t absorb my lust. I am holding onto you anyway. Fantasize a way of life like on TV. Wait, that’s not fantasy. Two ducks doing their mating dance outside my window, reminds me that I’m still in love with love. Not […]
- Dagger
Words: Heidi James
Visual: Matthew Coleman
- Climbing the Anal Staircase: The Art of No Bra
I.
They say No Bra is all tits and wonder, but they’re wrong. There’s also a lot of cock, and even some fake mustache. This isn’t music for the masses; it’s music that makes fun of the masses - or at least that quotient of the masses that imagines it constitutes an elite.Susanne Oberbeck dreams […]
- hear me read, see me lick…..
I read out loud (a slightly edited version of) “What the Witch Doctor Says” at Foyles Bookshop in London.
I eat pussy on Bruce LaBruce’s blog.
- The Institute of Psychoplasmics
I’m proud to be a part of the Institute of Psychoplasmics, a group exhibition currently on (through May 26, 2008) at the Pump House Gallery in London’s Battersea Park.
The Institute of Psychoplasmics, curated by the Pil and Galia Kollectiv, is an exhibition about cultic social groupings and how they challenge the integrity of the social […]
- My Life in Meat: Death as Art, Art as Death
This essay was originally published in Czech translation in 2005. It appears here in the original English version for the first time. It is part of the forthcoming collection, Disorientations: Art on the Margins of the “Contemporary” (Social Disease, 2008).
I’m writing this in the United States of America, which, in case you […]
- In the Cold
True North
Deutsche Guggenheim, Berlin
Through April 13th, 2008
Ameland-Pier X by Elger Esser (C-Print, 2000): When you stand away from it, it looks like a white painting with a series of thin black lines bisecting it horizontally. When you move closer, you realize it is a photograph of the horizon itself, the lines being the remains of […]
- The “Lost” Art of Art Criticism
In a recent editorial addressing the endless debates over criticism’s role in the current art world, Damon Willick argues that such debates often reduce the so-called crisis to a binary opposition – Greenbergian formalism vs. postmodernism. Proponents of the former accuse the postmodernists of academic obscurity, political correctness, and an inability or unwillingness to pronounce […]
- On the Expulsion of the Friendless Warrior
Why do we read art magazines? Sorry, but it’s a question that needs to be asked every now and then, as the answer seems to change over time according to one’s position, status, and relationship to the rest of the so-called art world, if such a world actually exists. Do we read in search of […]
