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	<title>Comments for disorientations.com</title>
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	<link>http://disorientations.com</link>
	<description>object-oriented writing by travis jeppesen</description>
	<lastBuildDate>Tue, 10 Jan 2012 12:45:52 +0000</lastBuildDate>
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		<title>Comment on TONIGHT: Luigi y Luca opening at Artbar, Berlin by arash</title>
		<link>http://disorientations.com/2009/08/15/tonight-luigi-y-luca-opening-at-artbar-berlin/comment-page-1/#comment-36854</link>
		<dc:creator>arash</dc:creator>
		<pubDate>Tue, 10 Jan 2012 12:45:52 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=223#comment-36854</guid>
		<description>hello</description>
		<content:encoded><![CDATA[<p>hello</p>
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		<title>Comment on TONIGHT: Luigi y Luca opening at Artbar, Berlin by sherwin</title>
		<link>http://disorientations.com/2009/08/15/tonight-luigi-y-luca-opening-at-artbar-berlin/comment-page-1/#comment-36486</link>
		<dc:creator>sherwin</dc:creator>
		<pubDate>Mon, 26 Dec 2011 16:41:58 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=223#comment-36486</guid>
		<description>thanks a lot.</description>
		<content:encoded><![CDATA[<p>thanks a lot.</p>
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		<title>Comment on Towards an Object-Oriented Writing – or – How Anti-Formalism Helps Me Dream: Notes on an Idea (plus an announcement) by Dillon</title>
		<link>http://disorientations.com/2011/10/13/towards-an-object-oriented-writing-%e2%80%93-or-%e2%80%93-how-anti-formalism-helps-me-dream-notes-on-an-idea-plus-an-announcement/comment-page-1/#comment-36412</link>
		<dc:creator>Dillon</dc:creator>
		<pubDate>Sat, 24 Dec 2011 02:35:29 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=410#comment-36412</guid>
		<description>Interesting post. But, for an object oriented writing - for me, recently, it had been poetics, which perhaps allows more freedom - would not an attempt to inhabit the object assume an attempt at completely reveal the object, an impossibility? Of course, the action of attempting could be taken literally, i.e. never arriving or completing. 

What I had thought of, and have been attempting(!), is to treat combinations of letters, words and phrases as objects and then create a continuance from one object to another, as the process of reading is carried out, by an alluding to a quality that is in the preceding object which is relative to a quality in the following object.</description>
		<content:encoded><![CDATA[<p>Interesting post. But, for an object oriented writing &#8211; for me, recently, it had been poetics, which perhaps allows more freedom &#8211; would not an attempt to inhabit the object assume an attempt at completely reveal the object, an impossibility? Of course, the action of attempting could be taken literally, i.e. never arriving or completing. </p>
<p>What I had thought of, and have been attempting(!), is to treat combinations of letters, words and phrases as objects and then create a continuance from one object to another, as the process of reading is carried out, by an alluding to a quality that is in the preceding object which is relative to a quality in the following object.</p>
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		<title>Comment on Poem at the Museum Ludwig by Idalee</title>
		<link>http://disorientations.com/2011/11/13/poem-at-the-museum-ludwig/comment-page-1/#comment-36152</link>
		<dc:creator>Idalee</dc:creator>
		<pubDate>Thu, 15 Dec 2011 23:46:52 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=448#comment-36152</guid>
		<description>It&#039;s good to see smonoee thinking it through.</description>
		<content:encoded><![CDATA[<p>It&#8217;s good to see smonoee thinking it through.</p>
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		<title>Comment on James Benning&#8217;s 13 Lakes: a novel by James Benning</title>
		<link>http://disorientations.com/2011/11/24/james-bennings-13-lakes-a-novel/comment-page-1/#comment-35410</link>
		<dc:creator>James Benning</dc:creator>
		<pubDate>Thu, 24 Nov 2011 21:24:18 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=452#comment-35410</guid>
		<description>Thanks for sharing this with me.  It&#039;s rather nice. jb</description>
		<content:encoded><![CDATA[<p>Thanks for sharing this with me.  It&#8217;s rather nice. jb</p>
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		<title>Comment on The Art of Deception: Lazlo Pearlman &amp; Fake Orgasm by VERONIKA ARAUZO</title>
		<link>http://disorientations.com/2011/10/30/the-art-of-deception-lazlo-pearlman-fake-orgasm/comment-page-1/#comment-34903</link>
		<dc:creator>VERONIKA ARAUZO</dc:creator>
		<pubDate>Fri, 04 Nov 2011 17:15:14 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=444#comment-34903</guid>
		<description>sorry , realy for me is art , is complicate but dhe film is inside of dhe concep mediterraneo for understen and talk ,dhe la realidad de el control social of dhe bodys  in people, who is dhe fuck reality ..... your reality whit noting question ?? or dhe people who reflexion and have plaesure of chance in dhe life ....???
de verdad siento no poder escribiros perfecto ingles ,pero esta pelicula esta enfocada par el publico español y latino , creando en los heteronormatibos un colapso mental muy muy inyteresante y estoy orguyosisima de aver colaborado con lazlo con activista performatica independiente española ..... lazlo ya te vere y hablaremos te quiero 
veronika arauzo</description>
		<content:encoded><![CDATA[<p>sorry , realy for me is art , is complicate but dhe film is inside of dhe concep mediterraneo for understen and talk ,dhe la realidad de el control social of dhe bodys  in people, who is dhe fuck reality &#8230;.. your reality whit noting question ?? or dhe people who reflexion and have plaesure of chance in dhe life &#8230;.???<br />
de verdad siento no poder escribiros perfecto ingles ,pero esta pelicula esta enfocada par el publico español y latino , creando en los heteronormatibos un colapso mental muy muy inyteresante y estoy orguyosisima de aver colaborado con lazlo con activista performatica independiente española &#8230;.. lazlo ya te vere y hablaremos te quiero<br />
veronika arauzo</p>
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		<title>Comment on The Art of Deception: Lazlo Pearlman &amp; Fake Orgasm by Lisbeth Barkhuus</title>
		<link>http://disorientations.com/2011/10/30/the-art-of-deception-lazlo-pearlman-fake-orgasm/comment-page-1/#comment-34863</link>
		<dc:creator>Lisbeth Barkhuus</dc:creator>
		<pubDate>Wed, 02 Nov 2011 17:28:52 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=444#comment-34863</guid>
		<description>I also attended one of Lazlo&#039;s performances.  Maybe even the same as Tsipi mentions on her comment.
I was taken breathless from the beauty in his honesty. This was the most courageous performance I had ever seen, and I felt a deep belonging and true presence in the sense, that this was a present for me to see:  no lies, no cheating, just the plain truth: A naked person inviting us to dance with him. That was really all: dance with me, to the end of love.
I have given much thought to lies and truth since, quiestioning whether destinction between lies and truth is really important and to whom? Because what is the truth: When I look at you, and you look at me, who am I then? Am I the same as I would be, had you not looked at me? Can I transform you by looking at you or must you wish to be transformed to make it happen in reality? Is reality just real while we look at it, what is it when we close our eyes?
What do we see other than we want to see? Does this make it true? Or false?</description>
		<content:encoded><![CDATA[<p>I also attended one of Lazlo&#8217;s performances.  Maybe even the same as Tsipi mentions on her comment.<br />
I was taken breathless from the beauty in his honesty. This was the most courageous performance I had ever seen, and I felt a deep belonging and true presence in the sense, that this was a present for me to see:  no lies, no cheating, just the plain truth: A naked person inviting us to dance with him. That was really all: dance with me, to the end of love.<br />
I have given much thought to lies and truth since, quiestioning whether destinction between lies and truth is really important and to whom? Because what is the truth: When I look at you, and you look at me, who am I then? Am I the same as I would be, had you not looked at me? Can I transform you by looking at you or must you wish to be transformed to make it happen in reality? Is reality just real while we look at it, what is it when we close our eyes?<br />
What do we see other than we want to see? Does this make it true? Or false?</p>
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		<title>Comment on The Art of Deception: Lazlo Pearlman &amp; Fake Orgasm by Tsipi</title>
		<link>http://disorientations.com/2011/10/30/the-art-of-deception-lazlo-pearlman-fake-orgasm/comment-page-1/#comment-34831</link>
		<dc:creator>Tsipi</dc:creator>
		<pubDate>Mon, 31 Oct 2011 10:57:57 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=444#comment-34831</guid>
		<description>Fantastic article. 

I actually saw one of Lazlo&#039;s performances, where the audience had no idea whatsoever what they were about to witness. The reactions were telling. And mostly made me sad. But then I tell myself that as long as there are people like Lazlo around to put up a sort of mirror in which we must view ourselves, eventually some of us will also open our eyes and see.</description>
		<content:encoded><![CDATA[<p>Fantastic article. </p>
<p>I actually saw one of Lazlo&#8217;s performances, where the audience had no idea whatsoever what they were about to witness. The reactions were telling. And mostly made me sad. But then I tell myself that as long as there are people like Lazlo around to put up a sort of mirror in which we must view ourselves, eventually some of us will also open our eyes and see.</p>
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		<title>Comment on The &#8220;Lost&#8221; Art of Art Criticism by 7 Art Critics Sites :: Gaia Gallery</title>
		<link>http://disorientations.com/2008/03/31/the-lost-art-of-art-criticism/comment-page-1/#comment-34502</link>
		<dc:creator>7 Art Critics Sites :: Gaia Gallery</dc:creator>
		<pubDate>Wed, 12 Oct 2011 13:23:59 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?p=13#comment-34502</guid>
		<description>[...] Who: Tyler Green, writer/critic on Modern Art Notes Who: Jerry Saltz, art critic for New York mag Questions in Art CriticismArt critics help viewers perceive, interpret, and judge artworks. Both art...prises various experts anxious to develop international co-operation in the fields of artistic [...]</description>
		<content:encoded><![CDATA[<p>[...] Who: Tyler Green, writer/critic on Modern Art Notes Who: Jerry Saltz, art critic for New York mag Questions in Art CriticismArt critics help viewers perceive, interpret, and judge artworks. Both art&#8230;prises various experts anxious to develop international co-operation in the fields of artistic [...]</p>
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		<title>Comment on Contact by KUESTA</title>
		<link>http://disorientations.com/contact/comment-page-1/#comment-33799</link>
		<dc:creator>KUESTA</dc:creator>
		<pubDate>Fri, 09 Sep 2011 17:38:38 +0000</pubDate>
		<guid isPermaLink="false">http://disorientations.com/?page_id=64#comment-33799</guid>
		<description>Share MY WORK.
Thanks.
KUESTA

(Ancient Egypt on)

K.                A/A  Ms. DR. JANET 
                       MCKENZIE</description>
		<content:encoded><![CDATA[<p>Share MY WORK.<br />
Thanks.<br />
KUESTA</p>
<p>(Ancient Egypt on)</p>
<p>K.                A/A  Ms. DR. JANET<br />
                       MCKENZIE</p>
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