Archive for the “Magazines” category
Neptune/Antoine Coysevox
by Travis Jeppesen on March 23, 2014
“Neptune/Antoine Coysevox,” one of the object-oriented text works from 16 Sculptures, is published in the March/April edition of Art Papers.
State of the Art
by Travis Jeppesen on January 26, 2013
“With magazines, it’s also complicated. Either you work for big bucks for Conde Nast and have them completely rewrite everything you turn in, or you work for less remunerative venues where, in the last few years, 1500 words have come (…)
Satanica
by Travis Jeppesen on November 29, 2012
The premiere issue of Satanica, a limited-edition mag edited by Gio Black Peter and Christopher Stoddard, will include an excerpt from my novel The Suiciders, forthcoming from Semiotext(e) in 2013, as well as an interview I conducted with Susanne Oberbeck (…)
The Names
by Travis Jeppesen on October 9, 2011
The Names is a section from The Suiciders, a novel. Read it here.
WhiteHot
by Travis Jeppesen on November 23, 2008
The first print issue of WhiteHot Contemporary Art magazine is now available for purchase.
3 Reasons Why Art Writing Still Earns a Bad Name
by Travis Jeppesen on October 18, 2008
You can read my short essay on said topic in the latest issue of Dazed & Confused. It’s pretty much a condensation of my thesis in Disorientations: Art on the Margins of the “Contemporary”.
The Critic as Avant-Garde Artist
by Travis Jeppesen on September 21, 2008
I have to say that I’m a lot more interested now in the prospect of reading Boris Groys’s new book Art Power than I was before reading Brian Dillon’s review of it in the latest issue of Frieze. According to (…)
Jeremiah Palecek
by Travis Jeppesen on September 14, 2008
My review of Jeremiah Palecek’s Berlin show is now online – check it out.
One to Watch Out For: Karla Black
by Travis Jeppesen on September 12, 2008
There’s a great essay by Jonathan Griffin in the latest issue of Frieze on Karla Black, an artist previously unknown to me. Check out images of her recent sculpture There Can Be No Arguments, courtesy of Mary Mary Gallery: A (…)
