Archive for the “Reviews” category
Cy Twombly in London
by Travis Jeppesen on May 1, 2009
Over at WhiteHot Magazine of Contemporary Art, you’ll find my review of Cy Twombly’s current exhibition at Gagosian Gallery.
Janet Cardiff & George Bures Miller
by Travis Jeppesen on April 14, 2009
My review of Janet Cardiff and George Bures MIller at Hamburger Bahnhof has been published in WhiteHot Magazine of Contemporary Art. I will be in Krakow later this week as part of the 6th Culture for Tolerance Festival. I will (…)
Political/Minimal
by Travis Jeppesen on January 21, 2009
My review of Political/Minimal, the current group exhibition at KunstWerke, is now online at WhiteHot Magazine of Contemporary Art.
2008: Moments: The Last of Rothko
by Travis Jeppesen on December 18, 2008
At the end of his life, Mark Rothko was making black paintings. Black and gray. Like TV static, but without the white: the voidlessness is now upon us. When you get closer, you can make out pale beige shapes, contorted (…)
Candice Breitz
by Travis Jeppesen on December 17, 2008
My review of the Candice Breitz solo exhibition in Berlin is now online.
Apollinaire for the digital age
by Travis Jeppesen on December 16, 2008
The first review (that I’m aware of) of Disorientations has been published. Thank you, John Holten and Dogmatika.
Deflated: Jeff Koons in Berlin
by Travis Jeppesen on December 9, 2008
The two Jeff Koons solo exhibitions currently on in Berlin – one a retrospective of the sculptures, the other a show of new paintings – confirm that Koons is the worst living artist anywhere. Koons is a sort of con (…)
Richard Serra at Gagosian Britannia
by Travis Jeppesen on November 8, 2008
The philosophical rigidity of Richard Serra’s sculptures stands for raw endurance. They last, they extend themselves past momentary interpretations, and yet they are not momentous; rather they nearly pass as organic forms. One at Gagosian is a vaginal maze that (…)
Ryan Trecartin at Whitechapel Gallery
by Travis Jeppesen on November 8, 2008
Having sat through so much bad video art in the past, I had until fairly recently come close to giving up on the medium altogether. Lately, however, my prejudices have been dissolving, as a new generation of video artists — (…)
