Archive for the “Uncategorized” category
No Title
by Travis Jeppesen on August 20, 2014
No Title (Time-object)
by Travis Jeppesen on August 17, 2014
If I could re-entitize myself, he says, I wouldn’t want to be man or beast or household humdrum object, the thing I would like to be is Time itself, and yet somehow still alive in the way I am now, (…)
No Title
by Travis Jeppesen on August 15, 2014
Becoming Sobject: Considerations of Vehicularity and ‘Wild Writing’
by Travis Jeppesen on July 24, 2014
At the root of it, we have the struggle of imposition – that rapedance that language does which is a gesturing towards containment, a process that can never be completed. Nietzsche complained of it in On the Genealogy of Morals: (…)
16 Sculptures at Wilkinson Gallery, London: July 2 – August 17, 2014
by Travis Jeppesen on July 2, 2014
Graphics Concept: Mario Dzurila Sound Production: Paul “Snax” Bonomo Voices: Brian Tennessee Claflin, Christa Joo Hyun D’Angelo, Paul “Snax” Bonomo, Travis Jeppesen, Sophie Iremonger The book: Publication Studio
Venus of Willendorf / Artist Unknown: London, Wednesday
by Travis Jeppesen on May 19, 2014
Wednesday 21 May, 7 PM Cubitt 8 Angel Mews London N1 9HH +44 (0)20 7278 8226 cubittartists.org.uk To book a place, please email: info@cubittartists.org.uk Venus of Willendorf / Artist Unknown is a screening and conversation on method and collapse with (…)
The Object
by Travis Jeppesen on March 9, 2014
He wonders how he will ever begin to write about the object. A bit like writing in the dark…The object is there in front of him, and yet isn’t. Both at the same time. How can that be, that (…)
16 Sculptures
by Travis Jeppesen on February 25, 2014
In addition to his work as a novelist, art critic and poet, Travis Jeppesen has developed what he terms “object-oriented writing”—writing that seeks to use language as a site for a subjective, embodied encounter with and response to art objects. (…)
Willard (1971): Two Takes
by Travis Jeppesen on November 22, 2012
The Deleuzo-Guattarian Take (Translation by Brian Massumi) I recall the fine film Willard (1972, Daniel Mann). A “B” movie perhaps, but a fine unpopular film: unpopular because the heroes are rats. My memory of it is not necessarily (…)
Shapeshifter
by Travis Jeppesen on April 11, 2012
They asked me why I ran away so often, I told them no idea. I was lying, of course, but the reasons why were pretty obvious to all but the most disinterested spectator. My function was limited: I was a (…)
