New Berlin Galleries
by Travis Jeppesen on September 27, 2009
I’m doing a series of interviews with emerging Berlin gallerists at Whitehot Magazine. You can now read the first two interviews in the series, with Michael Rade of STYX Project Space and Jesi Khadivi of Golden Parachutes.
Federico Forlani
by Travis Jeppesen on September 22, 2009
Federico Forlani is one of a new breed of young Italian artists working in photography who, through an inventive configuration of the diaristic and the theatrical, explores the limitations of the self. With great sensitivity towards his subjects, which often include the artist himself, Forlani evokes a poetic universe that runs counter to the immersive reality of our everyday lives. It is a pensive universe where love and beauty rule over all practical considerations, a place of suspended gestures that, in their quietude, somehow manage to declaim their truths louder than any words. It is a universe I wish I could inhabit.
Ceal Floyer at Kunst-Werke
by Travis Jeppesen on September 14, 2009
My review of Ceal Floyer’s solo exhibition at Kunst-Werke is now online at Artforum.
Dicklung & Others
by Travis Jeppesen on August 3, 2009
My new collection of poetry, Dicklung & Others, is now available for pre-order from BLATT Books.
The cover painting is Basan, the Fire-Breathing Chicken by Jeremiah Palecek, who also did the images for my last collection, Poems I Wrote While Watching TV, which you can also order from BLATT.
Bob Tooke @ Galerie Crystal Ball
by Travis Jeppesen on August 1, 2009
My review of Bob Tooke’s exhibition at Galerie Crystal Ball is now online at Artforum.
Stéphane Pencréac’h @ FRISCH
by Travis Jeppesen on July 28, 2009
My review of Pencréac’h’s current Berlin exhibition is now online at Whitehot Magazine of Contemporary Art.
E.M.C. Collard @ STYX Project Space
by Travis Jeppesen on July 16, 2009
My review of E.M.C. Collard’s current exhibition at STYX Project Space is now online at Artforum.
Alexandra Ranner @ Loock Galerie, Berlin
by Travis Jeppesen on July 10, 2009
Alexandra Ranner is showing a series of photos of lonely, desolate rooms. Rooms that almost appear as though they were never intended for human inhabitance. Or, that they have been abandoned and sealed away, their forsaken state having yet to be discovered by the outside world. This outside world is referenced via hints of light, natural and artificial, as well as by glimpses afforded by the occasional window. Upon closer inspection, it becomes clear why the rooms in the photos seem so artificial. They are spaces designed by the artist, perhaps close-ups of miniature architectural models.
You can read the rest of my review at Whitehot Magazine of Contemporary Art.